This paper examines the online presence of LadyBoy Mos on OnlyFans and OnlyPing, two popular platforms known for their adult content. Specifically, we focus on Mos's dynamic content, which frequently features dual-persona (DP) interactions with other Ladyboys. Through a qualitative analysis of Mos's content and online interactions, this study aims to explore the ways in which Mos negotiates identity, community, and content creation on these platforms.
This study employed a qualitative approach, involving a content analysis of LadyBoy Mos's posts on OnlyFans and OnlyPing. The analysis focused on Mos's DP content, which featured interactions with other Ladyboys. The researcher also examined online interactions between Mos and her followers, including comments, messages, and reviews. OnlyFans - LadyBoy Mos- OnlyPing - DP With Lady...
Rheingold, H. (1993). The virtual community: Homesteading on the electronic frontier. Addison-Wesley. This paper examines the online presence of LadyBoy
Exploring the Intersection of Identity, Community, and Content: A Case Study of LadyBoy Mos on OnlyFans and OnlyPing This study employed a qualitative approach, involving a
Butler, J. (1990). Gender trouble: Feminism and the subversion of identity. Routledge.
The proliferation of online platforms has enabled individuals to curate and share content that reflects their identities, interests, and experiences. Research on online identity formation suggests that individuals often engage in performative acts to negotiate their identities and connect with others who share similar interests (Butler, 1990). Moreover, the concept of community has been redefined in online contexts, where individuals can connect with others across geographical boundaries (Rheingold, 1993).
The rise of online platforms such as OnlyFans and OnlyPing has transformed the way adult content is created, distributed, and consumed. LadyBoy Mos, a prominent creator on these platforms, has gained a significant following for her DP content, which showcases her interactions with other Ladyboys. This paper seeks to understand the significance of Mos's content and her online presence within the context of these platforms.